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A Workshop - Not a Shopfront


Alice Cicolini was commissioned by Future City.....

Futurecity was contracted by Linden Homes to develop a cultural strategy for a new development on Blackfriars Road. Studio Cicolini developed a concept based on the idea of creative clustering: the Southwark Theatre District was the result.

Futurecity approached a small sample of practitioners and businesses in Southwark: major institutions, established theatre companies, experimental practitioners, individual designers and commercial theatre businesses. The idea was to gauge whether the idea of a theatre district has any immediate value or “stickiness” for people working in the industry at broadly differing levels of access and experience. We wanted to stimulate a debate about where the gaps were and how they might be met by this kind of approach.

A unifying thread of conversation focused on the nature and visibility of artistic work in theatre. It also covered whether opening up theatre practice to audiences in the way that the visual arts has achieved through Open Studio programmes, “in-progress” exhibitions and opportunities to watch artists at work in gallery contexts might contribute to a better public understanding of and connection to the theatre economy. “If a theatre district idea could make the work of theatre more visible,” suggested Director of the Jerwood Space ( jerwoodspace.co.uk) Richard Lee, “then this might constitute a narrative thread that could stitch the concept together but equally provide a valuable service to the businesses and practitioners it unites.”

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Tuesday 12.15.15
Posted by Alice Cicolini
 

Radical Deptford: A place in constant motion

Alice Cicolini was commissioned by Futurecity to create the cultural strategy for Hutchinson Whampoa's proposed development on the site of the Royal Docks. Her essay for the strategy gets under the skin of what makes Deptford unique ...

'From Henry VIII’s Royal Docks to Michael Craig-Martin and Herzog de Meuron’s Laban building, Deptford embodies progress. "Deptford’s got this great ability, as in a lot of poor towns, to absorb and yet remain the same. It’s got a tremendous ability to defend itself... it will take on anybody. Any authority, any challenge. It will look it in the eye and give as good as it takes; it’s a fantastic place for that and always has been."   Deptford Stories, 2006

Even just a cursory look at Deptford’s social history, as told by its people, its community historians, as well as through its ‘official’ history, reveals the extent to which this place is, while traditionally economically precarious, culturally rich and distinct.

Something about its boundaried nature, bordered as it is by the Thames and the Ravensbourne on two sides and a major high road and the railway on the others, amplifies the sense of distinction. It’s something that writer Seb Emina, in his article Seven Days in Deptford, describes as ‘town-ness’, and that Michael Ondaatje describes as a ‘port accent’ – but it could equally be called determined self-sufficiency.

There is an element of them and us that comes from centuries of surviving at the edge. However, it is equally a pride in being rooted in a place that has consistently married high and low culture, absorbed and then ultimately embraced the outsider (however painful a process that has on occasion proved) and been an engine of innovation for hundreds of years. 

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Tuesday 12.15.15
Posted by Alice Cicolini
 

Tactile Home The Role of Craft in the Built Environment

Glithero: Blueware Tiles (Petr Krejci)

Glithero: Blueware Tiles (Petr Krejci)

Futurecity were commissioned by Qatari Diar to create a cultural strategy for their development at Chelsea Barracks. Alice Cicolini was commissioned by Futurecity to develop a specific strategy for craft and design within the scheme; the essay, "Tactile Home The Role of Craft in the Built Environment" is her response.

"Mastercraft," Alice writes, "has the potential to create unique spaces because it can deliver human stories that foster powerful emotional engagement." Alice proposes that nowhere is this more pertinent than at Chelsea Barracks, a site located in the heart of an area inextricably linked with the Arts & Crafts Movement, the Great Exhibition, contemporary design and education and the sale of great antiques. "If the development is to truly embed a sense of place in the fabric of its structure, Alice argues, Chelsea Barracks should be the catalyst for a new language of 21st century superlative craftsmanship in the built environment."

Click here to download the full article

 

Tuesday 12.15.15
Posted by Alice Cicolini
 

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